28 NOV – 21 DEC | TIRED TOWN | MARIE CAYE

Free entry
Ventoselaan 1, Eindhoven
Opening Friday 28 November at 16.00
28 November – 21 December
Every Saturday and Sunday 14.00 – 19.00

EXHIBITION OPENING

On 28 November at 16.00h, the first two exhibition spaces of TAC will open their doors again for the first time in a long while, and of course, we’d love to invite you to join us!

Everyone is welcome to come and explore the newly renovated vault and ballroom, and to (re)discover the first part of TAC. Step by step, we’ll be opening up more of the building as the renovation progresses. Come and enjoy a drink and a TAC-O by La Cantina!

This exhibition is the final presentation of Marie Caye’s residency at MAKE Eindhoven, consisting of two parts that you can attend back to back.

At 18:30h, we’ll move to MAKE Eindhoven (Gasfabriek 12, NRE site) for Part 2, where Marie will give an artist talk, taking us through her research and creative process during her three-month residency. If you’re from Design Academy Eindhoven, you’ll also get a special tour of the facilities.

We’ll round off the evening with drinks and music!

*Header image by Marie Caye and Hania Rymkiewicz

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MARIE CAYE

During her residency and with the solo exhibition Tired Town, Caye developed a new series of sculptures that seek to re-enchant our world — an aspiration to dissolve into the landscape, where fabricated and grown matter coexist and influence one another. Her works carry echoes of ancient symbolism and industrial residue, grounded in material research with glass, stone petrification, and digital fabrication.

Marie is a visual artist, performer and designer from Auvergne based in Rotterdam. She is fascinated by the notion of hybridity as a way to hold opposing forces, dualities or incompatibilities. This exploration often happens on the stage set by decay and disappearance.

In one aspect of her practice, rooted in her home mountains, she reinterprets fading local iconography in drawings, installations and performances opening up the tension between conservative extractive logics and yearning for difference, change and communion.

Another facet of her practice connects to her current surroundings. She explores the idea of technology as a strange autonomous synthetic realm, scouring the land collecting videos where humans disappear or cyborg found-material sculptures where the synthetic and the organic are indistinguishable.

By holding these tensions, her work brings the question of what lies in between, in the ambiguity: the grey zones, the obsolescence and the interstices.

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